2013/14

The year has wound out in its usual fashion and we all remarked on the speed with which it passed, despite the fact that time dripped on at the pace it always has. It’s us that have sped up. We’ve upgraded from the laconic endless days of childhood when a day was as long as we needed it to be, and we didn’t waste time thinking about its ending. When we didn’t have to parcel the hours to ensure the to-do list was completed before the sun finished its arc. Time moved differently because every moment was then-and-there and this-is-happening, and not what-next or yet-to-be-done. Now we are frantic in our awareness of time passing and we fill it with everything so we don’t miss out on anything. The blatant irony is the what-next attitude stops us savouring the everything we have packed into our day. Maybe if we did a little less and embraced the this-is-happening frame of mind we’d feel like we accomplished more.

I feel like I’m in a very different place here at the end of the year than I was at the start.  For me, 2013 was made up of periods of frenetic action with time jumping forward in rapid jolts, and stretches of lonely inaction, bubbles where time was sluggish and sloth-like. This best summarises my experience of being newly single.

The biggest change 2013 brought was the ending of my five-year relationship. It altered everything. On reflection, I’m proud with how something that was so hard and tender and painful played out. Neither I nor my girlfriend felt the need to sink to the numb-mind state of hurling insults and lashing out. We didn’t hate each other, you see, we loved each other. But we didn’t fit together. And because of that we conducted our break-up with the same love with which we had conducted our relationship.

Facing the realisation of it was horrible. We both stared down our lives to a future where the other person no longer played a vital part. Where odd thoughts and in-jokes could no longer be shared, and where unquestioned support we had come to rely on was suddenly pulled away. We hated that reality and so ignored the stalled one we were living in for as long as we could. But eventually we agreed that an uncertain future was less of a risk than a present we were no longer enjoying. And so in April of 2013 we broke up.

The last time I was single I was twenty-one. I was an adolescent university student. Nursing was a course I had just begun, and not a life-changing career I had immersed myself in. I lived in Gippsland with my parents. I thought in simpler patterns and had a very different set of priorities.

The silver side of the thunderhead that is a breakup is the inescapable self-reflection that follows. After my break-up I had time where I was alone. Time where my to-do list got done and I was left sitting in my house thinking all the thoughts I usually pushed to the edge of my brain. I thought about who I was, and more importantly, who I felt I should be. Inescapably, I looked at myself without the identifier of boyfriend, but just me, with just myself to keep happy. And I had to learn how to do that. I had to learn what made me happy, and what I wanted to do with all the time that had suddenly opened up before me. If I wanted to be selfish with that time, or spread it around to the people in my life. Without planning for it, I had choice.

I think every break-up, like every change, is the opportunity for metamorphosis. So I changed in ways I had always wanted to, but no longer had a good excuse to delay. I exercised. I read. I wrote. I created. I saw friends. I relaxed with family. And I did it all while learning how to be alone, and deal with the air pockets between these activities when I just missed having someone around who loved me.

So change happened to me in 2013, and I changed. But it wasn’t just me. In my immediate family alone, every one of them changed. My twin brother took the courageous step of tackling an entirely new profession and industry because it meant he would be doing something he was passionate about. He quit full-time work and the comfort of full-time income, and set himself up with part-time employment and the challenge of entering a new field. He has already been successful in this due to his diligence, determination, and the intelligent and hard-working way with which he approached his self-appointed task.

My parents continued their growth into the post-children world and made more of their year than I thought possible. Without question, their social calendar outstripped mine to the point where planning two weeks ahead was the safest way to ensure I saw them. They have embraced this period of their life, and, far from slowing down, have sped up.

My sister, in a similar vein to my brother, has excelled in her new profession of being a yoga teacher. She followed her passion and worked harder and with more dedication than I thought possible of one person, and has gone from strength the strength. I’ve had the pleasure of being her student and the professionalism and breadth of knowledge she displayed was inspiring.

And finally, my older brother became a father. I can’t even describe how incredible it is to write that sentence. I know in my bones that he will be an amazing dad, and can’t wait to watch as that relationship develops. It is a life-changing, family-changing event, and a joy to be a part of.

We all changed in the past twelve months, and if I wanted to I could continue to look at my extended family and friends, and find that change has affected them all. In the same way we remark on the increasing speed of a year despite its continued metronomic pace, we remark on what a big year 2013 has been despite the fact that they’re all big years. Every year contains change, but the beauty of book-ending these periods of time is in the nature of stopping, of sitting with the this-is-happening frame of mind, and appreciating all that was accomplished. Of letting go of the what-next attitude and marvelling at how we have evolved and are evolving.

So here’s to 2014, to change, and to less of the what-next and more of the this-is-happening.

A PROSE PERFORMANCE

The combination of music and spoken word can be a powerful thing, as I was reminded when listening to a poetry performance by Shane Koyczan. The ability of the music to add weight to words, to add texture and ambience and scope, allows the recital to become something bigger than just speech, and falls into the category of performance.

With musical accompaniment words seem to resonate with meaning, the melody acting almost as an instrumental highlighter, drawing our ear to the powerful key phrases and stamping the evocative images into our brains. Music stirs something in us on a visceral level that words alone can’t always accomplish. It pierces deeper than the surface intellectual appreciation of the words we’re hearing and makes us feel them.

For this post I’ve taken a previous post, Whatever Helps You Sleep, and recorded it as a performance with my guitar playing to support it. Some may say using a previous post is cheating, but I say it’s my creative brain adapting it. It’s a loophole.

Listen below:

The video that inspired my own performance can be seen underneath. It’s also well worth checking out Shane’s video titled “To This Day” which can be found here.

PROSTATES AND EMPATHY

I’ve wanted to tell this story for a long time, but it took me a while to figure out how best to tell it. It’s about a man I met during a nursing placement in my second year of university. I tried writing it as a short story but it felt flat. Then I tried writing it as a verse poem, but quickly discovered it would be the longest verse poem in history, and who has the patience to read a painfully long verse poem?

But I think I’ve figured out the underlying problem: I was telling the story from my patient’s perspective. I thought this would bring some immediacy to the tale, but I’ve decided the power of the story isn’t from showing the elderly patient’s point of view, it’s from showing a young naive nursing student’s. In this case, being an observer is what gives the story its guts.

So now, I’m just going to tell it:

 

The placement was my second effort at actually entering a nursing environment and getting my hands dirty, literally, and my first within a hospital. Before this I had spent two weeks in a nursing home during my first year, and, while shockingly confronting, there was no real acuity to the experience. The patients weren’t patients, they were residents, and the job was to maintain their comfort. This was a real hospital. Looking back, it’s almost laughable; the hospital was the tiny rural hospital of Leongatha, which has a total of twenty-eight beds. A single ward of a metropolitan hospital has more beds than that. But, for me, it was a real hospital, and I felt hopelessly inept within its walls.

I met Ron on my third day. He was in his seventies, a local, and had been admitted because he couldn’t empty his bladder. Or, to be technical, he had benign prostatic hyperplasia. Basically, for whatever strange hormonal reason, when men get over the age of fifty it’s not uncommon for their prostate gland to begin growing. The trouble with this is the prostate wraps around the urethra, the tube through which urine is drained, and a growing prostate literally chokes the urethra. This results in an almost perpetually full bladder. Not a good thing.

I’ve wondered what Ron saw when he first met me. Meeting Ron, I saw a silver-haired old man with smile lines on his face and an ease I immediately admired. He was a person comfortable in any situation because he was comfortable in his own skin. He knew himself and liked what he found. I think, upon meeting me, he must have seen the opposite: an awkward young man unsure of himself and his place within the hospital.

 

The compact nature of the Leongatha hospital meant not only did I get to care for Ron both pre and post his operation, but I also had the opportunity to be there with him during the actual procedure. The operating room was ten meters away from the ward.

I remember stepping back from Ron’s trolley where we had stopped outside the operating room’s double doors to give space for his wife to say goodbye. It felt too formal, that moment, a pause for the wife to say words of sentiment. I both liked the official nature of the final farewell and found it slightly ridiculous, with the staff standing watch like respectful morticians. Ron wasn’t going in for heart surgery, and while there can be complications, death was a very far off possibility. Ron also saw the humour in the moment and joked while his wife attempted to be sincere. She eventually rolled her eyes and laughed him off, telling him to behave with the nursing staff. He threw me a wink as he promised he would.

We went through the double doors, his wife now marooned on the other side, and I waited with Ron while final preparations were made to the operating room. I wanted to keep Ron company, but I also had no idea where I was meant to stand, and beside the patient’s trolley seemed like the most appropriate place. Ron chatted with me while he lay, and I stood, in the cold hallway, and on reflection I realised he did this as much to keep me distracted as himself. Any nerves either one of us felt were diluted with conversation. It didn’t take Ron long to break his promise and give incorrect answers when asked by the surgical staff to repeat his name and date of birth. He found claiming to be twenty-six vastly amusing, and had a way of laughing that made it impossible not to laugh along with him.

 

One of the starkest images I have from that operation was before it had even commenced: seeing Ron have his epidural inserted. The operation Ron had is called a TURP, or a transurethral resection of the prostate, and it is done with the patient fully conscious. The epidural numbed Ron from the waist down. To have the needle inserted the patient sits on the edge of the operating table, curled forward, while the anaesthesiologist counts vertebrae and inserts a sharp splinter of metal into the spine. Given the delicate nature of such a procedure the patient must stay as still as possible, which means they can’t talk.

Seeing Ron topless and hunched forward, his face devoid of the usual animation talking gave it, made him seem so much older than he had before, as if he was now just another patient, a frail and scared man. He looked vulnerable, and it made me admire the strength with which he held himself the rest of the time to hide this fact.

My other vivid memory of the surgery was the smell. A TURP is done by inserting a long tube up the penis to where the prostate sits around the urethra, where the blockage is. The tube does two things: it constantly floods the bladder with fluid that drains away down a separate lumen, taking with it the blood from the soon-to-be bleeding prostate, as well as being tipped with a small metal loop that, when electrified, becomes instantly white-hot. The loop is what does the carving. The surgeon sends pulses of electricity into the metal and then scraps it along the inside of the prostate where it is growing into the urethra, burning away strips of gland. Think coring an apple from the inside.

The smell I smelt was cooking flesh. As the loop fried the prostate the smell of it drifted around the room, the smell of a steak in a frypan. It was made worse by the fact that it wasn’t instantly offensive, only when you realised what it was you were smelling. Ron, of course, was unperturbed by his own cooking prostate and found plenty of humour in the situation, joking about what a fine chef the surgeon was.

 

The climax of Ron’s tale, and moment that awed me and made Ron unforgettable even after five years of patients, came on the day after his surgery. He was back on the ward, only his bladder still wasn’t emptying.

After a TURP, an irrigation system is set up so that fluid constantly runs through a catheter into the patient’s bladder and out again into a giant catheter bag that sits beside the bed. The prostate is a highly vascularised gland, and, even with the cauterising effect of the searing hot loop, still bleeds profusely after the surgery. The fluid goes into the catheter clear but drains away a deep red. The liquid lightens as the bleeding slows and eventually stops and this is when the hospital staff know it’s safe to cease the irrigation.

The risk? Clots. Blood pooling in the bladder and urethra is a bad idea on the best of days, but the real risk comes when the blood congeals and becomes a plug, effectively creating the same outcome as a urethral-choking prostate. Unfortunately for Ron, despite the irrigation, clots had still formed and blocked his catheter.

This was the scene: Ron sat reclined on his bed, legs spread and his gown flicked back over his stomach. Two doctors crouched between his open limbs, working with the catheter inserted up his penis. Blood and saline soaked the beds sheets as the doctors took a large syringe and squirted further fluid up Ron’s catheter.

The idea is to create turbidity within the catheter and bladder by quickly shooting liquid up the tube, thereby dislodging any clots. The doctors then draw back on the syringe and hope to suck the catheter-plugging clots out of the bladder.

The problem was the clot stopping Ron from being able to drain had wedged itself in the lumen that took fluid away from the bladder. This meant the doctors could squirt saline up but not drag it down. Ron’s bladder was already full from the irrigation and the pressure was only getting worse. Imagine that moment when you have held off from going to the toilet for too long, the worst incidence in your life, maybe a car trip, or a meeting, when your whole lower abdomen is cramping and you’re bitting your lip to stop from whimpering in pain. When it feels like something might literally rupture inside you. Now multiple it tenfold. Every time the plunger of the syringe went down Ron fought to stop his body from buckling in agony.

So there’s the scene – Ron in torment as his already overfull bladder gets another shot of fluid that has no way of coming out, blood staining the sheets from previous attempted recatheterisations, and all dignity discarded in the heat of the acute situation. Even with his gown covering his top half, Ron was as exposed as a human can get.

This is when his granddaughter chose the unfortunate timing to visit, and to make matters worse, with a new boyfriend in tow.

Naturally the nursing staff intercepted Ron’s granddaughter on the other side of the curtains and explained the situation, suggesting she wait or come back another time. Ron, however, found the idea of his family coming to visit and his failure to welcome them rude, and so insisted they come in. His granddaughter took a chair beside Ron’s head and held his hand, and Ron joked that he never did anything the easy way. The boyfriend, as unsure of his place as I was, and visible overwhelmed by the intensity and intimacy of the situation, stood to the side of the room, his face a beacon of the fear I was hopefully hiding with my professional demeanour.

I can still remember the exact moment when Ron’s gaze lifted and he saw the young man well and truly past his comfort zone. A shudder racked Ron’s frame and I watched as he bit down his pain, forced his face to relax into a smile, and asked the young man how he was going.

He was fighting down agony, blood spilling from his penis, and he cared enough to reach out and attempt to comfort the stranger who had intruded on this mortifying moment. He had seen a person in distress and acted. I’m sure it was that simple to Ron, regardless of his own torture at the time. He was just that kind of man.

 

The last memory I have of Ron is as I was leaving, having finished my final shift at that strange and small hospital of Leongatha. We had shaken hands, he had wished me luck, and thanked me for my help. I can’t remember if I thanked him, but I hope I did. If I was back there again I would remark on what an incredible human being he is. I would tell him I admire his strength, and his consideration, and thank him for teaching me an important lesson about empathy, and humour. The final image I have as I left that ward was seeing Ron, the ringleader amongst four other men his age, all having had a TURP, holding up his catheter bag and remarking on the lovely pink colour of his handbag. The men all chortled and displayed their respective bags, commenting on the various shades of red they each had.

He had turned something as embarrassing and awkward as a blood and urine filled catheter bag into a joke they could all join in on, and I think that one example is enough to show why Ron’s is a story worth telling.

AN INTERROGATION OF FEAR

Since my last post I’ve been mulling over fear, and the insidious way it infiltrates so many aspects of my life. This is a benefit of having identified my fourth corner – even without intending to, my subconscious is analysing every inch of that angle in an attempt to overcome it. The act of recognition is enough that I simply can’t ignore it anymore. It’s like when you buy a new car and suddenly start seeing that same model everywhere. Only instead of Nissan Pulsars, my periphery is being snagged by moments when I realise I’m holding back, or feeling anxious, because of fear.

I use the word insidious with very deliberate intent. This is how I’ve gotten to twenty-six without pulling myself up sooner, gritting my teeth and staring down my flaw in an old country shoot-out.

It hid. And I was its accomplice.

The camouflage, like all good camouflage, appeared natural, so when I scanned my actions for inconsistency my metaphorical eyes skipped right over the fear squatting in the middle of my decision-making processes.

It hid in rationale.

See, as I grew and came across confronting situations, my brain learnt to weigh the risk and plan an appropriate course of action. I would see a kid dared to drink two litres of milk vomiting and whimpering in pain at the one and a half litre mark and decide to politely decline when dared to try the same. I gauged the discomfort of potentially retching out a good part of my stomach-lining against the notoriety of being the guy who sculled two litres of milk, and found it wanting. I reasoned that the reward was not worth the risk.

This ability is necessary for survival. It’s how we learn that, no matter how pretty the flame, grabbing at the gas stove won’t end well. It’s why most people who see footage of base-jumpers shake their head and mutter a few choice curse words before declaring that they would never do that in a million years. This line of logic has kept our species alive for countless generations – those without it failed to evolve due to extinction.

So it was within this nest of good reasoning that my fear hid, looking to all outward appearances like a well-thought out decision. But it was, in fact, an excuse. Let me give you another example:

I’m ten, dressed in little red speedos and pretty confident I’m pulling them off, and paddling around the local pool. Enter a friend who begs me to come jump off the tall diving board with him, extrapolating on all the joys I would find from flinging myself off such a great height and falling into a body of water. I trace my gaze all the way up the long ladder to the top where the older boys are pushing each other off, and feel that familiar curl of fear in my stomach. It’s big, and intimidating, and I’m scared. A gear shifts in my head and I’m laying out all the risks: broken neck, drowning, smacking my head on the diving board on the way down, and, of course, a dreaded ten foot belly-wacker. The scales in my head tilt and the decision is made – no way am I jumping off the tall diving board. My friend whines and cajoles, and eventually stomps away in defeat to wait at the bottom of the ladder.

Perfectly reasoned out decision. Only there’s one catch: the risk wasn’t why I didn’t jump.

It was the fear of risk.

Even taking into account the potential harm, the odds of me injuring either my body or pride were low (I didn’t realise it, but my pride had already taken a hit by my wearing of the speedos). I was insecure and built a defence of reason to justify my cowardice. My fear was fed, I failed to act, and was left thinking I had done the right thing.

My self-delusion and lack of insight weren’t the worst part, however. No. The worst part is I will never know what it feels like to jump off the tall diving board at the age of ten. That is by far the most tragic outcome of my flaw.

This may seem like an insignificant consequence of what is meant to be the defining defect in my character, but take a moment to think it out. Extrapolate this one small self-denied joy and spread it across a lifetime. How many thousands of moments have I backed down and missed out on? Where would I be, who would I be, if I faced down my fear, sucked up my courage, and climbed, knees trembling, to the top of that ladder?

I can’t know the answers to those questions, and if I’m honest, I’m not too worried about what they are. I am who I am. Like any human that has ever existed, I am the end results of all my successes and failures, skills and flaws, and am an interesting, three-dimension person because of it. Ultimately the answers don’t matter because I am happy with the man I am.

What dwelling on this aspect of myself gives me, the gift that comes from pawing through my tangle of persona and following the thread of fear to its root, is the option of choice.

Before, I was acting on years of instincts, giving in to the immediate reflex to step back, to say no, to protect myself from a menagerie of conjured physical and emotional risks. But now that I can recognise that reaction I have the option to ignore it. I can look at the decision I’m making, dissect the anxiety I’m feeling, and identify it as fear. Once done, it loses its hold. Yes, the fear is still there, but I’ve blown its cover, and I’m no longer mindlessly reacting from that place. I’m stepping back, and isolating that fear, and deciding who I want to be and what I want to do despite its influence.

The choice I now have is to go against my instinct, and step, heart thudding, to the edge of the diving board, and throw myself off.

THE FOURTH CORNER

Monday found me sitting in a classroom at RMIT University for the second week of an eight week screenwriting course I’m attending with my brother and cousin. The topic was character.

Our teacher sought to have us delve into what made the central character of our television shows tick, and he went about it through activities designed to reveal every facet of our characters. We began with how our character would come off in public, the face they showed the world and how they were perceived. This was the mask they wore, the version they thought socially acceptable, and one designed to gloss over the darker parts of themselves. Or, as our teacher put, “What they use to hide the fucked up parts.” I like his phrasing better. It feels more honest.

This led to examining the parts they hide, the weaknesses and flaws they’re aware of and deliberately conceal. Their self under the mask.

Which led to the parts they think they hide, but what is in fact readily apparent to anyone who has known them longer than an hour. Example: Maybe they’re terrified when it comes to talking to the opposite sex, and attempt to hide this fear by talking loudly and endlessly when engaging with someone of a different gender. Said opposite gender would see their insecurity immediately while our main character feels cocky in their seamless concealment of their inner demon.

Lastly we analysed the attributes our character had that no one knew existed, excluding the god-like figure of the writer, of course. The latent characteristics that would boil to the surface given the right circumstances. Admirable or amoral.

As we worked through the layers of our character I found myself inevitably turning the magnifying glass around and seeing myself as a character. What was my mask? What did I hide? What did I hide poorly? And what potential, good or bad, lurked within me? The process felt like an unveiling, a therapy session exploring who I really am under the bluster and bravado I put up to get through another day.

The next activity looked at the four corners of a character. Picture a square. Each corner of that square represents an attribute of our character. Three of those corners can represent a positive facet of our character. Maybe they’re friendly, honest, and hard-working. A nice character, certainly, but, when boiled down, a boring one. Our teacher was keen to stress that this character, in their current state, bred no stories. This character was unrealistic.

Enter the fourth corner. The final corner had to represent a negative trait in our character. Maybe jealousy. Maybe selfishness. Maybe our character is friendly, honest, and hard-working, but underneath it is a fear that they can never be enough. This is a three-dimensional character. This character has stories to tell.

Again the process of self-reflection was inevitable. I sat and wondered what my fourth corner was, and it solidified when our teacher described the fourth corner as being “the thing that fucks things up when you’re doing well. The root of every time you felt you failed, and the trait overcame every time you felt you succeeded.” A fatal flaw.

I knew it then. For me, it’s fear of risk. Fear of looking stupid, fear of failing, fear of injury, fear of limiting options, fear of consequences, fear of not coming back. When summarised: fear of risk.

Every time I didn’t say something when I wanted to, every time I didn’t act when I should have, every time I looked back and felt that squirm of discomfort and embarrassment about something from my past was because I was too afraid to behave how a better part of me thought I should. I had weighed the risk and my resolve crumbled and I did nothing. It’s insecurity, and I hide it with a mask of confidence.

And every time I felt I succeeded? When I knew the risk but did it anyway. Asked the question and risked looking stupid. Said the words that needed to be aired. Acted without sure footing underneath. For me, my nursing career is an accomplishment because delving into the intimate and confronting aspects of health, death, and humanity is something I wanted to run away from a hundred times. I saw the reality and shrank from it. But I didn’t run, instead I waded into the risk-filled arena and made my peace with it.

It would be impolite of me to ask what your fourth corner is, but I going to ask anyway.

What is it?

Don’t tell me, but think about and see if you can find the answer for yourself. Dip down into that part of your brain where you hide hard truths and force yourself to look at it. Don’t act on it straight away. This isn’t an exercise in changing yourself. Just identify it and sit with it a bit. Get used to knowing this part of you. Make your peace with it.

And know that it isn’t a bad thing, it’s just a thing, and something that makes you three-dimensional. Something that makes you human.

Something that makes your story worth telling.