AUDILE

Before I gained the ability to tackle novels, back when I was still mastering picture books like “The Strongest Baby In The World,” my father used to read novels to me and my siblings. I can remember my dad seated on a sofa in the corner of the living room and us kids sprawled around him, the semi-shag carpet cushioning my head as I lay listening to his narration, letting his voice weave stories in my mind.

I loved these nights, and loved the ability of someone else’s words creating worlds and characters that I could envisage from the comfort of my living room floor.

Having outgrown the age when it is socially acceptable for my father to read me stories before bed, I still enjoy spoken prose through the art of audiobooks. Working as a district nurse inherently involves a lot of driving, and to pass the time commuting from patient to patient I have my iPod playing in the car, and stories playing in my head.

There is a power in having a novel read to you, in having the sensory elements of sound and tone help build the details of the story. Character’s voices flesh out personalities, pauses create suspense, and you can close your eyes, block out any distractions, and picture the world that’s being described to you.

But like any art form you are reliant on the artist to dictate the perspective you take when perceiving the piece. For someone reading a novel, they are building on top of a pre-existing piece of art, adding another layer of texture with a new medium. This new layer, this alternative perspective, can make or break a story. It can enhance what was already there and bring new body to the work, or it can cheapen it and detract from the power of the piece, dependant on the reader’s skill. I have listened to some readers that have made characters come alive, and others that have only succeeded in making them annoying. Realising the importance of the verbal narrator’s skill has made me admire the former and their vocal abilities.

With all this in mind, for today’s post I have attempted a reading of my short story Remembering The Mimi. The process of recording this only increased my admiration for quality readers as I mumbled and stumbled my way through multiple takes. It also gave me a newfound respect for people who use audio-editing software, as I had to learn how to remove my numerous errors.

So put in some headphones, close your eyes, if it’s available lay down on some semi-shag carpet, and let me tell you a story…

SPECIMEN

Given that I have had a story recently published I thought I’d offer up a specimen of my writing for people to try.

I’ve uploaded a short story titled White Bone, Red Muscle, which explores the fragility of the human body. It can be found here, or by tripping headfirst into the writing page

If you like what you read and are slamming your fists on the floor begging for more, please feel free to head here, where you can purchase the latest copy of Aurealis featuring my short story, Remembering The Mimi.

P-DAY

Well, the day has come: I have been published. Please wait a moment while I repress the urge to give a gushy acceptance speech…that should do it.

My short story, Remembering The Mimi, has been published in Aurealis #50. If my previous posts have whet your appetite and left your stomach gurgling for more, you can purchase the magazine here. The publication includes multiple reviews and short stories for a very reasonable price, that, in Australia, won’t even cause you to break a note.

This being the first time my fiction has been published, I can tell you, it feels good to see my name in print. Given that it’s an e-publication, I’m tempted to frame my laptop. It’s not very practical but helps the ego.

If you give the story a read, let me know what you think. Here’s hoping it sates your growling literary gut.